Today's You


Memoir Examines Social Boundaries In Hip Hop
Tuesday, 10 August 2010 03:53    PDF Print E-mail
This memoir from Thomas Chatterton Williams, entitled 'Losing My Cool,' addresses the interesting social boundaries of hip-hop culture. The writer is at ends with his loving father, who steers him away from the "money, clothes and hos" ethos of the 1990s.
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Williams' father, a SAT test prep teacher in a New Jersey suburb, got to his son at an early age. He encouraged him to spend afternoons hovering over a chessboard, playing with scientific instruments and studying vocabulary. Of course, this only lasts for so long. Williams routinely snuck away to watch BET, coveted Air Jordans and internalized some of the more negative social messages from rappers like Jay-Z and Nas.
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Things apparently reached a culmination when Williams found out that his girlfriend was cheating on him. Using the lessons he learned in music videos, he unleashed a backhanded pimp slap and become horrified with how he had betrayed the more enlightened upbringing that his father tried to give him.
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The book turns into a cultural critique of hip-hop unity a good and bad thing. Williams puts his sociology hat on to examine what he calls a lack of "ironic detachment" in African-American communities. Reminiscing on his life, he thinks that his friends growing up heard too much of their personal experience in '90s hip-hop yet were unable to separate the exaggerations and cinematic aspects of the music from the actual reality.
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Young Dancers Enjoy Hip Hop
Monday, 09 August 2010 16:42    PDF Print E-mail

Hip hop leaped from the streets of the Bronx to suburbia years ago, so break dancing in the summer workshop at High Step Dance Academy is not breaking news.

It's still a fresh blast to watch 16 girls "krumping," "popping" and spinning on their heads at the Longview dance studio.

"On TV, I followed dance along the East Coast," said studio owner and dance teacher Daisy Case, 26. "It really opened my eyes."

Case studied at Cornish in Seattle and danced in "Chorus Line" in Miami before injuring her back and coming home to purchase the High Step business from Sandra Hemminger three years ago.

"If you can't do it, share it," she said cheerfully.

Case did say she misses the acrobatics of break dancing, with its head rolls, lunges, stomping, popping jerky movements that make a dancer look like a hinged puppet, and krumping hunched shoulders and heavy swinging arms like a gorilla.

Guys originated these moves on inner city asphalt.

In towns like ours, girl dancers in sunny studios take to the form with gusto.

Last week at High Step, a mixed-age class warmed up, doing push-ups, sit-ups and splits, stretching and twisting like Cirque de Soleil performers.

"You gotta be really athletic," Case said. "We need strong dancers, so we won't get hurt."

Next came the hip hop lesson, with teens Crystal Garrison and Porsche Yates doing the teaching.

Porsche wears baggy sweats for the hip hop look, and the rest of the dancers don athletic shoes or black facsimiles with split soles — the middle section is carved out for more flexible foot movements.

Following Case's direction, Porsche and Crystal demonstrate the choreography, building the dance through practice and repetition, like a puzzle.

"The younger ones look up to the older girls," Case said. "They learn from them."

Porsche and Crystal relish the role, showing how to drag ahe foot in a smooth slide and sharpen the edge of a shoulder pop.

"Do a little hiccup with your shoulder, like this," Porsche tells the younger dancers. "Get your shoulders high."

When the dancers leap straight up from a standing position, Case calls, "Get your knees up past your ribs! ... Push into your lift!"

Now they put the moves together. "Let's try the music you'll hear it," their teacher says.

Case is well aware of parents' worries about hip hop songs.

"We use appropriate songs, with no bad innuendo," she said. "There are lyrical hip hop songs and R and B. It's really fun."

"It makes me mad that they stereotype hip hop as vulgar and full of bad words," said Crystal.

Favorites of the dancers include "Here Comes the Boom" from "The Longest Yard," and "Boom Boom Pow" by the Black Eyed Peas.

"You can do a lot of tricks to them," said 9-year-old Kierrla Yates. "It's fun,"

Later, the girls described how learning four or five moves at a time and doing the parts over and over helps the dance mesh with the music and become second nature.

"Muscle memory," explained Emily Gates.

Whether you check out a funky homeboy website, Wikipedia or a scholarly article on pop culture, hip hop is defined as an established subculture, with its own music, dance, look and attitude.

On that score, it's the latest in a long tradition of musical revolutions, from the Roaring '20s to swing, Elvis to the Beatles, punk to grunge.

And every new dance craze seems to drive parents and ministers crazy.

Hip hop was born in the 1970s, based on a driving 4-4 beat, talk-singing, DJs scratching records as they spinned, acrobatic moves called break dancing that got mainstreamed by Michael Jackson, sagging jeans and backward ball caps, and its own vocabulary some of it pretty nasty.

Fans, however, describe a vast array of content, including girl rappers and the to-be-expected Christian hip hop. Country singer Jake Owen even did a song with a hip hop flavor during his show at the Cowlitz County Fair last week.

In the Summer 2000 edition of the Popular Culture Review, Dr. Renford R. Reese calls hip hop "the poetry of the street," expressing "rage against the system."

Reese points out that hip hop has been embraced across class systems, all over the world, and by corporations who use it to sell products.

"Although critics of rap music and the hip hop culture seemed to be fixated on the messages of sex, violence, and harsh language," he writes, "... the potential of this art form to mend ethnic relations is substantial ... the hip hop culture has challenged the system in ways that have unified individuals (particularly youth) across a rich ethnic spectrum."

For kids, it's as simple as a beat.

"We don't have to listen to the words," said Crystal. "We dance to the beat.

"With hip hop, all technique goes out the window," she added. "Ballet is like, flowing, smooth and soft. This is ‘Hit it, hit-it, hit-it.' You hit your moves hard.

"If you're kind of mad or frustrated, you can feel the music release all that energy."

When the dancers form a circle called a "cypher" and volunteer for free-form moves in the center, Case encourages them to let go.

"Let's see some attitude. Show me your style!"

Emily is one of the most animated loose limbed, in a groove with the music and scrunching her face into snarly expressions.

"It's not my favorite kind of dance," said the 14-year-old Longview girl, "but I like how you can do whatever you want and it's not wrong. You can be goofy, or mad."

Said the tiny, agile Kierrla, "You have to be up and tall in almost every other" type of dance. "With this, you get to be down and loose."

Kiana Hoffman, 12, of Toutle, has been doing ballet for a long time, she said. "It's hard for me to get loose, I'm so used to being tight and upright."

After practicing hip hop at home, "I got the hang of it," Kiana said. "It's really fun. The way Daisy mixes the music, you get to feel something different in the songs. It gets out your personality in a different way.

"The attitude is not so much pretty," she said. "It's hard to explain."

Recently, Kiana said, "I started doing everything the studio has to offer. I'm putting myself out there. And I'm starting to like hip hop more than jazz."

With hip hop, she said, "There's not a right or wrong. We make something of what we have."

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Last Updated ( Wednesday, 11 August 2010 03:00 )
 
Puberty Coming To Soon For Girls
Monday, 09 August 2010 05:52    PDF Print E-mail
American girls are undergoing puberty earlier than ever, some of them developing breasts by age 7. Now, armed with a spate of research accumulated over the past decade and a new study published today, health experts are voicing concerns over the physical and psychological implications.
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A study published online today in Pediatrics evaluated 1,239 girls age 6 to 8. Researchers used breast development to gauge the onset of puberty. By age 7, 23 percent of blacks, 15 percent of Hispanics and 10 percent of whites had developed enough to match the criteria for puberty.
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But context here is key: Researchers are most concerned over what appears to be burgeoning number of girls hitting puberty earlier. Compared to the first study to suggest earlier-onset puberty, done in 1997, significantly more girls in this new research are developing at a younger age.
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"In 1997, people said, 'That can't be right; there must be something wrong with the study,'" Dr. Frank M. Biro, lead author of the new study, told the Los Angeles Times. "But the average age is going down even further."
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So far, research is pointing to higher body weight as a deciding factor in early-onset puberty.
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This latest study reinforced prior findings linking higher body mass index with earlier development. Study participants with a higher BMI were more likely to be developed at a younger age.
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Given that about 30 percent of American youth are now overweight or obese, the link makes sense. Estrogen, a vital hormone for female development and reproductive maturation, is stored in body fat.
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Black and Hispanic girls also develop earlier than their white peers, although black study participants didn't show significant change between 1997 and today. "Perhaps black girls have approached a biologic minimum," Biro hypothesized.
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Cancer is one implication that has experts concerned. Women who menstruate for a longer span of time meaning they're exposed to hormones including estrogen for more of their lives are at a higher risk for breast and uterine cancer.
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"Breast cancer is such a common problem, so if we can find some of the things that make it more likely, we could improve screening of those early developers," Dr. Susan Nickel, at the Texas A&M Health Science Center College of Medicine, told CNN.
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And a swath of research suggests that so-called "endocrine disrupters" chemicals found in plastics, pesticides and household wares might be wreaking havoc on delicate hormonal equilibrium, perhaps setting off earlier puberty and causing lifelong reproductive problems.
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The psychological implications of earlier development can be devastating. Preliminary research has found that girls who hit puberty earlier are more likely to suffer from eating disorders and depression, abuse cigarettes and alcohol, and engage in earlier sexual intercourse.
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"If an 11- or 12-year-old girl looks like she's 16, people will interact with her as if she were 16," Biro told CNN. "Early maturation increases the rate of risk-taking behaviors and lowers academic performance. It doesn't mean it's going to happen, but it could."
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